German grip drum stick technique free#

According to Spivak, the fulcrum point needs to be as narrow as possible because вЂњThe narrower the fulcrum or balance point, the better the stick will rebound.вЂќ2 With the middle finger established as the fulcrum point, the thumb and first finger are then brought together to guide the stick, touching it very lightly. The hand is turned palm down, and the stick is allowed to pivot freely with a seesaw-like motion. Spivack explained the grip as a three-finger hold that begins by cradling the stick beneath the palm in the crook of the first joint of the middle finger.

Among his many successful students were jazz luminary Louie Bellson and funk aficionado David Garibaldi. Spivack was a Los Angeles-area percussion teacher who did not invent this technique but did a lot to promote its use. Harr, Earl Sturtze, and many others.1 It is sometimes called the вЂњSpivack GripвЂќ in honor of Murray Spivack (1903вЂ“1994). Setting the stickвЂ™s pivot point at the middle finger was taught by Haskell W. MIDDLE FINGER GRIP AS TAUGHT BY MURRAY SPIVACK This grip also offers precise rudimental control for field drumming because it effectively breaks the rebound to control taps, diddles, and grace notes. The index finger grip is well-suited for lighter playing, such as in concert bands and orchestral settings, because it makes it easy to lightly squeeze the stick for pressed techniques. The stick pivots at a fulcrum point between the thumb and index finger, with the middle finger or ring finger pulling upward in response to rebound.

German grip drum stick technique free#

The closed finger grip must not be too tight the stick needs to have enough free play to bounce.ДЇINGERS : The finger control position of the overhand grip is established with a relaxed downward bend at the wrist, allowing the fingers to open and extend while minimizing wrist action. WRIST : Lightly closing the fingers behind the thumbвЂ™s grasp and index finger will transfer control of the stick from the fingers to the wrist. Switching between wrist and finger control is a simple matter of opening and closing the fingers behind the index finger fulcrum point. The index finger grip is excellent for wrist or finger techniques. The pivot point is established slightly behind the stickвЂ™s balance center (about 1/3 the distance from the butt end). Using the thumb and index finger creates a pivot point behind which the rest of the fingers are aligned to exert leverage by pulling up on the stick. Two practical methods in general use are the index finger grip and the middle finger grip. There are many ways the pivot point, or fulcrum, of an overhand grip, can be applied. It also allows a 180-degree range of forearm rotation, from the palm facing down to the palm facing up (pronation and supination). Holding the stick below the hand will allow maximum wrist-turning range (extension and flexion). Beyond this general description, the details of the grip become more complex.

When both sticks are handled with the same kind of overhand grip, it is called a вЂњmatched grip.вЂќ When the left-hand holds the stick using an underhand grip while the right-hand holds the stick with an overhand, it is called traditional, conventional, asymmetric, or mixed. There are two ways to hold a drum stick in the broadest of terms: overhand and underhand.